A Way of Being
From the legendary music producer, a master at helping people connect with the wellsprings of their creativity, comes a beautifully crafted book many years in the making that offers that same deep wisdom to all of us.
Author:
Rick Rubin
Published Year:
2023-01-17
First, let's look at tuning into the source of creativity.
Rubin emphasizes that creativity isn't something you force; it's something you allow. It's about becoming receptive to the ideas that are already floating around in the universe, waiting to be discovered. Think of it like tuning a radio. You're not creating the radio waves; you're adjusting the dial to pick up the signal.
Tuning into the source involves cultivating mindful awareness. By spending time in silence and observing surroundings without judgment, individuals become more attuned to subtle cues that spark creative ideas.
The example of Johnny Cash's revitalization illustrates this principle. Instead of forcing Cash into a mold, Rubin encouraged him to explore songs resonating with him personally, leading to the raw and emotional "American Recordings" series. Cash connected with the underlying emotion, expressing it through his unique voice.
This principle, as highlighted in "The Creative Act: A Way of Being", suggests that creativity flows when we are receptive and allow ideas to surface, rather than forcing them.
Now, let's move on to the idea of breaking rules.
Rubin argues that many of the rules we follow, whether in art or in life, are simply assumptions, not absolutes. They're conventions that have been established over time, but they're not necessarily the best or only way to do things.
Breaking rules challenges established norms and opens up new possibilities. The anecdote about the band stuck in a creative rut illustrates this. By discarding conventional songwriting rules, they created something unique and groundbreaking.
Applying this involves identifying and deliberately breaking self-imposed rules, whether in creative processes or daily routines. This disruption can lead to unexpected discoveries and innovative approaches. "The Creative Act: A Way of Being" encourages this mindset.
For example, if you always write with a specific tool, try a different one. If you always start your day a certain way, change it. These small acts of rule-breaking can have a significant impact on your creative output, as emphasized in "The Creative Act: A Way of Being".
Next, and this is crucial, Rubin talks about the power of *temporary* rules.
While breaking rules is important, imposing temporary rules can also be a powerful tool for creativity. It's about creating constraints that force you to think differently and find innovative solutions.
Temporary rules create constraints that foster resourcefulness. Examples include Georges Perec's "A Void," written without the letter 'e,' and Yves Klein's exclusive use of a single color, leading to "International Klein Blue."
This principle can be applied by setting limitations, such as time constraints or limited resources, forcing inventive solutions. "The Creative Act: A Way of Being" advocates for using constraints to boost creativity.
For instance, challenge yourself to come up with numerous ideas in a short time or cook a meal with limited ingredients. These self-imposed limitations can spark unexpected creativity, a concept strongly supported by Rick Rubin in "The Creative Act: A Way of Being".
Let's pause here and consider the importance of listening.
Rubin emphasizes that listening, truly listening, is essential for creativity. It's not just about hearing sounds; it's about paying attention to the world around you, to other people, and to your own inner voice.
Deep listening involves paying attention to nuances and subtleties, opening oneself to new perspectives and ideas. Rubin's technique of describing music in terms of emotions, images, and stories fosters this deep connection.
Practicing active listening in conversations, focusing on understanding others without interruption, reveals unspoken emotions and body language. This enhances receptivity and fosters creative insights, as discussed in "The Creative Act: A Way of Being".
By truly listening, we become more attuned to the world and our inner selves, creating space for creative ideas to emerge. This is a core tenet of "The Creative Act: A Way of Being".
Finally, let's address the issue of self-doubt.
It's a common obstacle for anyone pursuing a creative path. Rubin acknowledges that self-doubt is a natural part of the process, but he also offers strategies for overcoming it.
Rubin suggests separating the 'experimenter' (idea generator) from the 'finisher' (editor). Self-doubt arises when the finisher interferes with the experimenter. Allowing the experimenter free rein, without judgment, is crucial.
Another strategy is to write down negative thoughts and question their validity. This helps to diminish their power by examining them objectively. "The Creative Act: A Way of Being" provides these practical tools.
Rubin emphasizes the spiritual aspect of creativity, connecting it to something larger than ourselves. This perspective shifts the focus from mere production to cultivating an open, receptive way of being, a key concept in "The Creative Act: A Way of Being".
The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.
All art is based on non-communication.
The artist is a mediumistic being.
Taste is a social convention.
The creative act is a magical act.
The artist acts like a medium.
Art is a game between all men of all eras.
The creative act takes on another aspect when the spectator experiences the phenomenon of transmutation; through the change from inert matter into a work of art, an actual transubstantiation has taken place.
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